Marvel Vs Capcom 3: Update #4

November 30th, 2010

Alright folks, it’s been awhile since my last blog on MVC3. But a lot has been going on at Star Clipper, which has kept me from keeping up with a variety of ongoing blogs, such as “Fleet’s Favorite Comic Book Adaptations” and “Name that Superman”. But don’t worry, I’ll get back to those in due time… For the moment though, I’d like to fill everyone in on what’s been happening with Fleet’s most anticipated upcoming game, Marvel Vs Capcom 3.

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The last time, I blogged about this game, there were only 10 officially announced characters. At the time of writing this, there are officially 30 characters in the game (including 2 characters that are to be added to the game through download). At the end of the blog, I’ll post the names, but for now, let’s talk about a few fun tidbits about the game. For starters, the game has been given a release date of February 15, 2010. So that means that I’m shutting down my Valentine’s Day early, so I can go stand in line at Midnight so I can be one of the first to play the completed retail copy of the game. Secondly, it would appear that Capcom’s standard practice of palette swapping (making different colored variants of characters) was frown upon by Marvel higher-ups, so instead of getting awesome colored characters, we are getting Marvel heroes and villains in the various costumes that they have adorned over the years. As you’ll have noticed below, Spider-Man is showing off 4 of his costumes; Standard Blue and Red, Black Symbiot, The Iron-Spider, and the new “Big Time” suit. I think that’s pretty cool. However, not every marvel character has as many costumes as Spidey, so some of the other characters will have more inventive costume swaps. For example, there’s a video out there, somewhere, where we get to see Deadpool in an interesting “Blue and Yellow” get-up that comes from a certain DC mercenary’s wardrobe.

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Also new to the franchise are these things called, “Player License Cards.” Now, these aren’t a new concept for fighting games, but they are always a welcome addition. So, what that means for the player is that a variety of that user’s stats would be collected upon the finishing of an online match. Eventually, their “play style” will have been determined through a variety of factors and ultimately, the card would be used by your potential opponents so they can know what to expect out of you during a match. The cards also record who your favorite characters are to play with, as well as your win/loss record and your overall rank for online play. Also included in the game is a little thing called, “mission mode.” What that actually means is that this is a glorified training mode that gives you objectives for each character, in an attempt to help you become a better player. This is almost a standard affair with fighting games these days, so it’s not really exciting news, unless you’ve never played a “______ Vs Capcom” game.

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Now, all that’s left to discuss are the characters, and if you’ve been keeping up with our facebook page, you’ll have surely noticed the MVC3 videos that get posted whenever a new character is announced. That is my doing, but in the event that you don’t want to check those links out, here is a quick list of all the confirmed characters in the game as of the past week, as ripped directly from Wikipedia for ease.

Marvel characters[19] Capcom characters[19]
Captain America Albert Wesker
Deadpool Amaterasu
Doctor Doom Arthur
Dormammu Chris Redfield
Hulk Chun-Li
Iron Man Dante
Magneto Felicia
M.O.D.O.K. Jill ValentineDLC
She-Hulk Morrigan Aensland
Shuma-GorathDLC Nathan Spencer
Spider-Man Ryu
Super-Skrull Trish
Thor Tron Bonne
Wolverine Viewtiful Joe
X-23 Zero


And don’t worry, this isn’t the final list of characters. The head of development for the game has stated that he intends to have at least 2 characters announced to the game for every month leading up to the release of the game. For this month, 4 characters were announced, so there doesn’t seem to be a limit. But at the very least, there will be at least 6 more characters… But that number shouldn’t include Downloadable Characters. Now, I don’t really care for having to pay for extra characters, but I think that I could possibly make an exception for this game, seeing as Cyclops has yet to have announced. I’ll pay for Cyclops. Otherwise, that’s about all the fresh news for MVC3. See ya next time.

-Fleet


The Best Thing I Read Last Week

November 29th, 2010

And in this corner, weighing in at 1808 words, comes a very long blog. Good thing I took out all my deep thoughts on Kull vs. Conan and saved them for a blog coming right behind this one, huh?

If there’s any way to make those five faces of Reed run side by side, that would be great. But if that’s technically a pain, let ‘em fall where they may.

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Family obligations and extra hours at the pencil stand conspired to make this week’s comic book reviews become last week’s comic book reviews. I’d apologize, but I suspect most of you were under the influence of turkey on Friday and had no idea what day it was. So, now it’s Monday (maybe Tuesday) and you’re reading this while avoiding resuming your normal work schedule. Good for you, I say.

Last week’s books were a veritable cornucopia of goodness and giblets. Four of my favorite titles were released, one new title in which I’m extremely interested debuted, and for reasons inexplicable to even myself, I bought Batman Odyssey #5 of #13. That’s the Bat-giblets right there, so let’s get it out of the way.

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[BATDUDE MEETS HYDROMULLET]

Neal Adams’ art continues to suck me in, even as his strange writing choices continue to befuddle me. Like fer instance, can you ever picture Batman casually calling someone “dude” in a non-ironic way? Imagine no longer — it’s right there on page 4 of this book, in the panel with Aquaman wearing his best Brock Samson power-mullet. There are some revelations about Dr. Wayne and Ra’s Al Ghul being very close bros back in the old days, and Dr. Wayne flirting with oil drilling before moving into the search for alternative fuels — you know how they were in the 1940s, always interested in the ecologically safe thing — and then Joker shows up and so does Deadman, and boy am I tired. Tired and confused. I’ve read all these issues, and I seriously have no idea what this book is about, where it’s going, or why I should care. I don’t even understand this month’s cover, because there is no savage Batman in purple anywhere in this book. I’d say I’m done with this title, but Aquaman’s mullet is so freaking majestic that I suspect I’ll get issue 6 to see if Wonder Woman shows up with a 70s-style perm.

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[THOR CHASES THE DRAGON]

Thor the Mighty Avenger was a much-needed palette cleanser after Batmodyssey. Roger Langridge and Chris Samnee are creating a modern and simplified version of Marvel’s Thor, suitable for its all-ages rating and anyone who wants to enjoy a fun, well-written and beautifully-drawn book. Issue 6 is a text-book example of economical storytelling. I recently re-read Roy Thomas’ “Thor: The Eternals Saga,” and while it’s entertaining, it’s also padded and exceptionally redundant at times. Langridge avoids the classic pitfalls of endless recap and “our story so far” writing in favor of a fast-paced plot that abounds with superheroic fighting and true characterization. This month, Thor uses one of Jane Foster’s books to uncover Mjolnir’s teleportation powers, and quickly finds himself on the Rainbow Bridge facing Heimdall.

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[HEIMDALL IS THE BIG MAN ON BIFROST]

Heimdall, incidentally, is much larger and appears to be a black man. I’m conflicted about the re-casting of long-standing comic figures (as in Samuel Jackson as Nick Fury), but Thor has always been one of the whitest comic books, and Langridge and Samnee are clearly working in a universe somewhat divorced from the mainstream Marvel U, so this becomes more an interesting wrinkle than a gimmick or needless change. I like it. I also love Thor vs. Heimdall, and the parallel plotline about Thor finally explaining to Jane what she means to him on earth. I don’t want to spoil either plot, but I will say that I wish more comic writers approached romantic feelings with such honesty — if the whole idea of Thor learning some humility revolves around him understanding mortal feelings and emotions and putting other people’s needs before his own, this is the way to do it. What a great book.

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[HUNKA HUNKA BURNIN’ HOBGOBLIN]

Let me also rave about Amazing Spider-Man 649. Dan Slott’s second issue as writer, and he moves every plot point put down last issue forward at least two steps. Peter’s new job affords him some great cover for his “night job,” which he needs since his new girlfriend is a forensic scientist (much more astute than that model he used to date), we get Hobgoblins of several varieties coming out of the woodwork and the return of Black Cat. I left Spider-Man before Black Cat entered his life, so I had no strong feelings about her return — until ace reporter Norah Winters gets in an epic burn on Black Cat.

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[THAT’S SEASONALLY INAPPROPRIATE, SPIDEY]

Dan Slott, please continue to be awesome all the time. I think if a non-comic reader were to ask me what book they should read to understand my longstanding passion for the art form, this book would be Exhibit A. Action-packed, clearly defined characters who talk and behave like real people, an interesting plot with real-world relevance, genuinely laugh-out-loud funny, kid-friendly but not dumbed down, and a hero who is both loveable and decent — Amazing Spider-Man is everything a comic book should be. And it ships regularly, too.

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[NAMOR HAS A WAY WITH HIS TRIDENT, LADIES]

OK, if Spidey’s not Exhibit A, Fantastic Four 585 most certainly is. I have gone on and on at length about Jonathan Hickman’s run as writer of this book, so I’m making a conscious effort to dial it down a touch and be more critical of the things I don’t like about this book.

Steve Epting ain’t great at drawing expressions on faces.
That’s it. That’s the sum-total of things I’m not in love with when it comes to Fantastic Four right now. Epting is great at many things — his style is clear, his panels are arranged in an interesting and effective manner, he renders action well, his faces are distinct — but he can’t make those faces show emotion very well.

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[REED 1]

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[REED 2]

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[REED 3]

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[REED 4]

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[REED 5]

Reed often looks like he’s fighting indigestion (admittedly, he’s being whisked into outer space by Galactus, but it’s not like this is the first time that’s happened), the Richards’ extended family of children all look like they’re from the Village of the Damned, and most distractingly, Johnny and the non-rocky Ben share a serious, late night discussion about their respective desire for children and the dialogue has to carry the weight because Ben looks disinterested, or maybe sleepy. In fact, the dialogue in the scene and on the preceding pages makes it clear that Ben very much wants children and has thought about it a great deal, but his physical condition means he shuts those thoughts down before they anchor in his heart. Hickman continues to bring glorious little gems of humanity to this book, and Epting swings and misses — someone like Amanda Connor would make Johnny and Ben’s exchange heartbreaking and supremely human– but the overall sweep of this book makes me overlook Epting’s flaws. The fact that Namor kills a guy with a trident (!) makes that acceptance easier than it should be — also, I’m prematurely mourning the death of Ben Grimm next month (jinxjinxjinxJINXJIIIIIINNNNNNXXXXXXX! KILL JOHNNY INSTEAD!). I do love Fantastic Four these days, and I’m apprehensive about those feelings continuing after next month. I hope FF and I are still friends in four weeks’ time.

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[FINAL ISSUE --- PSYCHE!]

Speaking of old friends, Conan the Cimmerian 25 marks the FINAL ISSUE! of the series. Well, that’s what it screams on the cover. Once again, the book will be renumbered next month and start fresh with a new creative team and name (Conan: Road of Kings), while Robert E. Howard’s Savage Sword and King Conan: Scarlet Citadel begin shortly thereafter. That’s a lot of Conan to get excited about, and trust me, I’m duly excited. Maybe that’s why this “final issue” falls a little flat. Actually, it’s more because “Iron Shadows in the Moon” is one of the more so-so stories among REH’s body of work; they can’t all be “Frost Giant’s Daughter” or “A Witch is Born,” and I kinda wish this series could have ended with a better story.

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[SHOCK THE MONKEY]

OK, it does have Conan punching out a Grey Ape — that’s something.

Anyway, I am sorry to see the Tim Truman/Tomas Giorello team depart the monthly book, and I’m happy they’ll be the creators of the Scarlet Citadel limited series. This is the first time in a long time I’ve felt disappointed in the Conan monthly, and it’s not a feeling with which I’m comfortable. I think I just wanted the string to play out so we could get some new blood and new stories, and now that it’s almost here I’m a bit nervous about Roy Thomas still “having it.” I shouldn’t worry — the guy’s a pro, and he’s revitalized Conan more than once in his career — but how many times can you go to the same well before it runs dry? These are the things that keep me up at night — that’s weird, right?

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[KULL HATE WITCH]

If it is weird, I think it’s only because I ever-so-slightly prefer REH’s King Kull stories to his Conan tales. That’s more a product of there being fewer Kull stories, and that they haven’t been hashed and re-hashed in as many comics over the years as the Conan ones have been. Which brings us to Kull: The Hate Witch 1 of 4, by David Lapham and Gabriel Guzman, and its graphic depiction of all that is right and wrong about how Kull has been handled over the years, first by Marvel and now by Dark Horse. [Interior Editor's Note: I'm Paul's interior editor. Normally you don't see me, because he suppresses me so that he can ramble on for 2,000 words about something that interests him. His concentration has slipped now that he's banging on about REH, Conan and Kull, and so I'm able to step in and scissor out the next 800 words about these topics. I'll let him save that for another post. Now I'll allow him to resume his commentary, oh, let's say right here:] … and that’s why I prefer to dress up as Kull rather than Conan.

But that’s neither here nor there; although I greatly enjoyed most of last week’s comics, I’d have to say Thor the Mighty Avenger was the best thing I read this/last week, if only because I had pigeonholed it as being pretty straightforward entertainment and not too deep. The emotional resonance of this month’s issue was a surprise, and it forces me to reassess the book as a whole. I still think it’s an outstanding entry-level comic for young readers, but Roger Langridge and Chris Samnee are also crafting a book that deals with adult issues of identity, motivation and relationships, and they’re doing it without resorting to cliché. That’s good comics right there.

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[IT MEANS THOR IS AWESOME]

-Paul


All-Papa, Can You Hear Me?

November 27th, 2010

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[ODIN IS A STRICT DISCIPLINARIAN]

This week’s theme is “Dysfunctional Parent/Child Relationships.” It’s obvious to even the most casual comics fan that this is the foundation of many, many characters’ backstories. And for good reason — as a comedian whose name I can’t recall once noted, “Nobody can push your buttons better than family members, because they’re the ones who installed most of those buttons.”

This brings us to Odin and Thor. Odin is the All-Father, meaning he’s the progenitor of most, if not all, of the Asgardian gods. Thor is the only one of those gods who’s acknowledged as his bloodson, and he’s also known to be the ultimate defender of Asgard and the gods. Thor is the archetypical golden boy, beloved of the people while his half-brother, Loki, is feared and distrusted. It’s Thor who gets the best presents from dad — Mjolnir ain’t no joke — and Thor to whom everyone defers when Odin is out of town. But Thor’s not the fruit of Odin’s wife — Frigga’s — loins. The identity of Thor’s birthmother is a mystery for many years in the comics, and it causes more problems for Odin than it does for Thor. Shocking, right? Not many wives take kindly to their husbands fathering children with other women, but Frigga doesn’t hold it against her stepson. Eventually Roy Thomas, Mark Gruenwald and Keith Pollard reveal the answer of Thor’s matrilineal descent, in the epic Eternals Saga — so epic it’s collected in two volumes.

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[ODIN VS THOR]

In addition to shedding light on who should have been receiving all Thor’s Mother’s Day cards, the Eternals Saga reveals that Odin has a nasty habit — every couple of centuries he kills Thor because he thinks it will forestall Ragnarok and the death of all the gods. When he’s not being snuffed by his father, Thor is being cast out of Asgard by daddy dearest because he’s disobedient, being stripped of his powers and replaced by a new “Thor,” being forced to live as a human with a gimpy leg to learn humility, fighting dad’s ultimate engine of destruction the Destroyer because Odin has plans that Thor is about to upset– Odin teaches more lessons through terrible means than George Bluth, Sr.

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[NEW MODEL THOR LIKES FUR]

And if this is what he does to his favorite son, what does he do to Loki, the evil son? Not much. While Thor is rambling around Earth with no knowledge of who he is, Loki’s in Asgard living the life of a god — and conspiring to kill his brother and take dad’s place as king. Thor constantly thwarts his half-brother’s plans, but before long Odin finds some new reason to ban Thor from his sight, or send him to the far side of the universe on some cockamamie quest, or punish him with amnesia. Thor, being the noble guy that he is, always takes these punishments in stride. OK, during the Eternals Saga he almost throws down against dad, but Odin relents at the last possible moment and then — well, if you’ve read this far you should be able to guess that he once again banishes Thor from Asgard as a precautionary measure.

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[ODIN’S NEVER REALLY LISTENED TO “CAT’S IN THE CRADLE”]

Currently in the real world, there are two ongoing monthly Thor titles. In the main one, Odin is gone and Thor has become the scapegoat for everything terrible that’s happened to Asgard in the past few years, and yet it’s Balder who is king and supposedly responsible for the people. Even when Odin’s not there, Thor gets shoddy treatment, because that’s how dad raised him. In the secondary Thor book (Thor the Mighty Avenger), Thor is trapped on Earth with no knowledge of how he got here, until the Warriors Three show up and reveal that he’s being punished by Odin with banishment and amnesia — again. Despite being one of the most powerful characters in the Marvel Universe, Thor is forever his father’s whipping boy — and he’s almost immortal, so it really is “forever.”

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[ODIN DOESN’T REALLY TAKE WELL TO CRITICISM]

-Paul


Is Death Losing Her Touch?

November 26th, 2010

This week I decided to explore something that I have been seeing as a growing theme over the last several years in comics, and that is the role of Death. And no, I don’t mean Niel Gaiman’s acclaimed Sandman character, though I am a fan.

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[Big improvement over the classic bones and scythe, don’t you think?]

Who out there can honestly say that they are sad anymore when their favorite comic book hero dies, or their favorite villain for that matter? It seems like the afterlife in the comic book world has become just like Arkham Asylum, because for every person that goes in two people come back out.

Ever since the death and revival of Superman, death has become such a revolving door that it’s something of a running gag in the DC and Marvel universes. In fact, in one issue of the Incredible Hercules, the afterlife was shown as being a giant casino in Atlanta where heroes and villains played games of chance to see who got resurrected next.

However, the redeeming part about the temporary nature of death in comics is that it’s lead to some really great ideas. Blackest Night, for example, is one of the best story arcs I’ve seen in the last five years, and Marvel’s X-Men: Necrosha had the potential to be just as big, though it had the unfortunate luck of running just after Blackest Night kicked off. Between the two, the superhero comic community had seen a massive revival of all sorts of characters, some of whom I had nearly forgotten about, such as the original Blink, famous for dying less than an hour after her first appearance.

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[Hello Claricccceee.]

Most recently Marvel has been playing with death again in the Wolverine epic Wolverine Goes to Hell, where he literally does just what the title suggests. Someone forcibly drags Wolverine’s soul down to the underworld to meet some old “friends” while a demon takes his body for a spin. Whether we’ll see some more resurrections by the end of this is yet to be revealed, but considering Sabertooth has appeared on the cover of two issues in the series without playing a significant role in either one…well, I’ll let all of you draw your own conclusions about that.

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I have to wonder though, are Marvel and DC trying to be a little greener by recycling their characters like this? I have no idea, but whatever they’re doing they do it well.

Until next time.

-Brent


Voodoo Child (Slight Return)

November 25th, 2010

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When Marvel relaunched “New Avengers” early this year I was intrigued that the book essentially revolved around three of my favorite Marvel characters, Stephen Strange, Daimon Hellstrom, and Jericho Drumm. The latter of the three magic-based characters is actually better known as Brother Voodoo, or more recently Doctor Voodoo, taking on the role as the new Sorcerer Supreme since “New Avengers #53.” It was exciting to see such a weird and obscure character be featured so prominently in such a major selling superhero book like “New Avengers.” Unfortunately, I fell behind a few issues in the series and was looking through the shelves to see this cover:

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By now this should be a classic comic book cover line, “In this issue one of these characters will die!” I actually think covers with the line, “everyone will die!” warrants their own blog. I’ll see what I can do with that one in the future. Back to point, if “80s horror movie rules” apply one of the black guys on this cover is going to kick the bucket. Since Marvel’s not going to write-off the leader of the New Avengers Luke Cage, you guessed it, Doctor Voodoo is going to kiss that giant voodoo doll in the sky.

I know this could be misconstrued as a giant spoiler alert, but with how often death occurs in comics nowadays is this really that revelatory? Come on! I’m sure our good Brother Voodoo will go visit Papa Jambo and Damballah and will be back in the Marvel U in some way or another in a few short months. No biggie.

This is not to say that I didn’t like writer Brian Michael Bendis’ direction in the issue. Though I wish Doctor Voodoo could have lasted a lot longer, I like that the seat for Sorcerer Supreme is vacant again and the Eye of Agamotto is in a parallel dimension. I also like that Bendis was able to sneak the famous George W. Bush line “stay the course” into the seance scene. That’s right, Marvel! Stay the course and keep killing characters off and bringing them back from the dead. Brother Voodoo wouldn’t have it any other way!

-Jon


They Gave Him Wonder Man’s Brain

November 22nd, 2010

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[VISION VS. THE VOLCANO]

One of my favorite things about these theme blogs is the negotiations that go on backstage before we all agree on who we’re writing about and why. There’s a lengthy email chain floating around in cyberspace in which adults lay out ground rules for what qualifies as a robot — it’s ridiculous, right?

Ah, well. I started it the brouhaha by bringing up the Vision — he’s a synthezoid, not a robot, but we’re still counting him as one. You gotta have standards, sure, but come on; how many robots have a wife and kids?

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[VISION ENJOYS LONG FLOATS IN THE RAIN]

But that’s why I love Vision. Created by Ultron using the robot body of the original, Golden Age Human Torch and his own wickedness, Vision was supposed to be the weapon that finally killed Hank Pym. Old-timers will remember that Hank built Ultron, so that means Vision is kinda Hank’s grandson. Wait, it gets weirder: Once Vision fought the Avengers pretty much to a stand-still, he decided they were cooler than Ultron, so he switched sides. As a thank-you for not destroying them, Hank imprinted Simon “Wonder Man” Williams’ brainwaves on the Vision (Wondy was dead, he didn’t mind) and just like that Vision had emotions and grown-up feelings. In one afternoon, Hank Pym undid 60 years of science fiction theory and broke, like, all of Asimov’s laws — that’s right, comics are bad-ass like that.

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[WANDA AND VISION EVENTUALLY DRIFTED APART]

With great emotions come … horniness. Despite the heavy limitations of having Simon Williams’ brain as his guide, Vision soon began dating the Scarlet Witch, they got married (how progressive is THAT?) and then Scarlet hexed up some kids for ‘em. Wonder Man also reappeared, and decided that since the two of them had the same thoughts and feelings, he would think of Vision as his “brother.” That’s sweet and all, but that means that once again Wonder Man comes up as a second-class hero. He, too, was sent to kill the Avengers (by Baron Zemo) and ended up joining them, then died and not one of his teammates tried to bring him back — they just get Mr. Greenjeans here to take his place, plus give him Wondy’s brain.

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[WELL, THAT EXPLAINS VISION’S GREEN AND GOLD COSTUME]

So one brother is a struggling actor who squandered the family fortune and can’t get a date, the other is a robot with a wife and kids and a steady job. Wonder Man, you suck. Wondy gets even, though — after Vision goes all blue screen of death on the world’s computers, the feds discombobulate him. When Hank Pym puts him back together, Wondy refuses to let them use his brainwaves again because *he* secretly has the hots for Scarlet Witch. Vision ends up an emotionless, chalk-white ghost of his former self and he and Scarlet divorce, but this being comics, he eventually pulls it all together emotionally.

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[YOU’D CRY TOO IF YOU HAD WONDER MAN’S BRAIN]

In addition to having one of my favorite ever backstories, ol’ Vizh has some great powers. He can shoot eyebeams, he can fire solar blasts out of his little bindi, he’s got a supercomputer brain, and he can control his density, making himself transform from intangible to diamond-hardness — not to put to fine a point on it, but I’m sure that’s a feature that makes the wife happy. Roy Thomas and John Buscema created him, but I’ve always been partial to George Perez’s rendition. David Michelinie wrote some fine stories that demonstrated the full range of Vision’s powers — Avengers #194, “Interlude,” has a great Vision freak-out in it, as he tears up the Avengers’ training room because Jocasta (Ultron’s robot version of Janet Van Dyne — what is it with Ultron and making robot versions of people he hates?) calls him “almost human.” You can find that one in the Marvel Legends: George Perez series, volume 3. Volumes 1 and 2 are equally worthwhile if you’re a fan of Vision, or of beautifully-drawn comics in general.

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[NIGHTY-NIGHT, VISION]

-Paul


See Ya In The Funny Pages

November 20th, 2010

I’m sad to report that this will be my final official blog for Star Clipper. There are no dramatic circumstances surrounding my departure, I’m just following the money and taking my talents elsewhere. I’ve been a manager at the store for 2 years now, and I have to say that it is the most fun I’ve ever had as far as working goes. I’ve made a lot of friends along the way, and you all remain my friends, I just won’t be ringing up your comics any longer while hearing your various complaints and praises about the medium, which is something that I’ve always enjoyed.

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This was not an easy decision to reach. You folks have no idea how much I enjoy and take pride in being a part of something like Star Clipper. The St. Louis metro really doesn’t know how lucky it is to have a store like this. Try and find one like it outside of New York or LA, you won’t find one.

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Some of my highlight moments at the store:

Spirits of St. Louis- This is the most recent highlight, but it’s also the first time I’ve ever been published, and it was through the friends I’ve made working at Star Clipper.

Meeting Brian Poshein- You know.. that tall guy with the glasses?.. balding red hair and a beard? He’s a comedian?, he was the minister in the 2nd Fantastic Four movie? Whatever. I met a celebrity.

Smashing stuff!- We had a lamp display that we weren’t using anymore and it wouldn’t fit in the dumpster out back so Ben, Fleet, and I destroyed it with a series of sweet round-house kicks, stomps, and a cinder block that ended up smashed to bits.

Co-starring in the store’s Walking Dead commercial- Despite the fact that I was dog-piled on by a mass of sweaty fan-boys and girls in stinky makeup who almost trampled me and twisted my ankle a bit… it was a lot of fun!

Teasing Scorfo relentlessly about his shoes- Seriously, shoes should not have that many holes in a working enviroment! Thankfully, he was convinced to get a new pair. To quote Mike Harvey: “Those shoes are so funky, they can play bass!”

Hosting the trivia contest with Jon on Star Clipper Day- I have to admit that I had to chuckle to myself when I heard the frustrated groans at the difficulty of the questions Jon and I came up with.

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And of course, the thing I’ll miss the most is Wednesdays. That’s when all the beloved regulars come in and crack me up with their witticisms about the world of comics. Like any retail job, there are plenty of stories about unruly, rude, creepy, or downright weird people who come into the store, but you’ll have to come find me for those stories.

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I’ll still be a regular presence around the store since like a lot of you, I have a pull and hold file and I love the store. And let’s face it, I’ve left an irreversible mark on the store and will forever haunt your dreams. You know it’s true.

See ya around,

-Jim


ROBOT.ROBOT.ROBOT.ROBOT.ROBOT

November 19th, 2010

Robots. Do you trust them? I do. Sometimes. Food and Cleaning robots are cool. Companion robots… Not so much. At least, not the creepy human looking ones that the Japanese keep building. The robot in Rocky IV, that one is ok by me. But what about comic book robots? Well, those tend to be murky territory… I mean, one could argue that the Cyborg Superman is technically a robot. I wont go into detail about that one, but there was a brief conversation that was had about who and what counts as a robot, and the result leads us to this string of blogs. So let’s get right to it.

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Aaron Stack, better known as The Machine Man, is one of the coolest robots in comics. Originally an idea that was spun out of the comic adaptation of 2001: A Space Odyssey, the Machine Man started off as a simple robot (X-51) that was eventually exposed the awesome power of a Monolith which brought him and the rest of this robot “brothers”, becoming sentient in the process. His “brothers” went on a rampage but through some sort of robot love deal with his creator, X-51 did not go insane. So then the good creator died, and X-51 took his surname and lived on as his son, and thus, Aaron Stack was “born”.

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X-51 and Reed Richards in one of the many bad Marvel futures

Following that, Aaron was brought into the Marvel Universe and some stuff happened. And it was decided by the powers that be, that Aaron Stack had a soul. Then he just kinda floated around the Marvel U. Sounds boring, right? Well. I wont argue with you there, but that isn’t to say that he’s a terrible character. No. For you see, there was this little series called Earth X. You might have heard of it. Much like DC’s Kingdom Come, Earth X followed the “what if the future sucked” path for Marvel Comics. Machine Man is one of the central characters, tasked by the blind Watcher Uatu to watch the events of Earth unfold through past and present as the entire population of Earth are converted into Inhumans through the Terrigen Mist bombing of the atmosphere as well as the threat of complete population brain-washing through the efforts of a young child. Of note, this is one of those few times where Uatu didn’t interfere with the catastrophic events that were occurring on the Earth. But through Uatu and Stack’s conversations, we find one that one one of the most human characters that Marvel has is actually a robot. Aaron refuses to give in to The Watcher’s urges for him to delete his personality and become a recorder of the end of humanity. However, with respect to those who have yet to read Earth X, I’ll not go into any further details, as this is one story that is best discovered with your own eyes.

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But hey, you might be saying, “Earth X doesn’t count, Fleet! Tell us about something that matters.” And for that, I point you to another comic with dubious continuity; Warren Ellis’ “Nextwave: Agents of H.A.T.E”. This comic featured a team that was made up of B-List & C-List characters and showed us just how cool these characters could be. Plus, there was Captain ☠☠☠☠. But that’s for another time. But Aaron Stack finds himself on a team that’s kinda like S.H.I.E.L.D. but… different? Anyway, his depiction here builds him as a sort of dysfunctional and yet functional Inspector Gadget. Often, we’ll find him morphing his appendages into a variety of mostly useless tools for the situation, or we’ll see him summon the aura of Rob Liefeld by having grossly oversized and impractical giant scissor hands. (which is awesome in this case) Outside of Nextwave, he appears in a couple of the Marvel Zombies books. Most recently, he teamed up with Howard the Duck to deal with the zombie menace. That kinda says something about the path that the Zombies brand has taken over the years… And that path? The Awesome Path. But I’ve yet to mention one of the coolest things about Aaron Stack. And that happens to be that he’s totally Green. Not as in the color, but that he runs on Solar Energy. He’s one ot the best robots for the environment. Add that to his variety of functions, such as; stretchy limbs that can go as long as 100 feet, a chest firing beam-cannon, super-computing skills, his titanium/adamantium hull, his literal “hand guns” (his fingers can shoot out bullets as well as lasers), he has nanotech that self repairs, and he has also hinted that he could impregnate a women from far away.

Now that’s a cool robot. Now, I started off this blog with an intention to show you how cool Machine Man was. What ended up happening was that I got distracted. So, I don’t know if I achieved my mission. But what I do know, is that for a guy who tends to wear the equivalent of a giant purple onesie, he makes for a pretty cool robot and character overall. See ya.

-Fleet


The Best Thing I Read This Week 11/18

November 18th, 2010

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[SAVAGE SWORD OF KULL]

Well, well, well. Look who has his Friday night already planned out for him.

I’m normally a delayed-gratification reader when it comes to new comics. I go through my pile and move the titles I anticipate will be awesome to the bottom so that I can finish on a high note. Well, normally I do this; this week saw the release of Northlanders 34, the final chapter in the Metal storyline, and I absolutely could not wait to see how it ended for bloodthirsty Erik and his beloved Ingrid (they die, right? They have to die.), so I bumped it to the top of the pile.

And I was underwhelmed.

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[WHAAAAAAAAAAAT?]

I know, Crazy Eyes Viking. I can’t believe it either. But this was merely a first impression. I re-read the book immediately, then moved it to the bottom of the pile so that I could read it a third time after I’d read everything else. It was much better when I wasn’t racing through it — sometimes my excitement gets in the way of my enjoyment. I was expecting a protracted battle between Erik, Black Karl and a half-thousand Christians, and instead the book is much quieter.

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[YOUNG VIKINGS IN LOVE]

All right, so Erik fights Black Karl in the streets of some podunk town after Karl has magically grown to the size of a small building — that was some carnage right there. But the story really turns on the goddess Hulda letting Ingrid know she’s just a pawn Hulda’s using to control Erik, and Erik renouncing Hulda for the sake of saving Ingrid. The fact that the book did not match my expectations is a good thing. I’ve already seen Erik slaying hundreds, now I’m seeing him sacrifice everything he believes in to save Ingrid. For someone who believes in fighting to the death, that means running away. Brian Wood continues to surprise me with this book. I love it that I can’t predict how his stories will end.

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[BEST THING ABOUT THIS IS THE BERNIE WRIGHTSON COVER]

I was legitimately disappointed in Nightmäster: Monsters of Rock. Look, you give me a guy named “Nightmäster” with an umlaut and he has a sword, I expect carnage and lots of it. Instead Adam Beechen gives me a motormouth hippie oblivious to everything while Nightmäster skips through an evil dimension dodging various nasties. There was some carnage, but most of the issue involves listening to a hippie who can’t shut up, and that’s never been the recipe for a good story. The hippie didn’t even get killed — if you put a hippie in your story in 2010, he has to be dead by the end of the issue. That’s in the Comics Code. No wonder this book doesn’t carry the Comics Code Authority seal of approval.

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[NOTHING THIS COOL HAPPENS INSIDE THE BOOK]

Superman/Batman 78 was similarly a dud. Joe and Jack Kelly’s script is nothing more than two boys arguing out the specifics of a fight between Supes and Bats and how it would all go down. As a framing device, it kinda reminded me of that Batman story from the 70s where the inner city Gotham kids go camping and tell ghost stories about Batman while he listens from the trees — it’s in the second “Greatest Batman Stories Ever Told,” I believe. Anyway, this is not a fundamentally bad story, it’s just very familiar and not nearly as clever as it wants to be. Besides, Batman totally wins any fight between the two of them — everyone knows that. There’s a Huntress/Power Girl back-up story that makes even less sense.

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[SOLDIER ZERO IS BETTER THAN COKE ZERO]

Stan Lee’s Soldier Zero #2 moves the story along, but it didn’t have the impact issue one did. I couldn’t tell you why that is, either. It just felt less special, and a little more like your typical comic book. Stewart Trautmann finds out more about both the alien entity that’s taken up residence in his body and the intergalactic war that the entity is fighting, and how it’s spilling over into Earth. It’s a solid comic, and that’s a good thing, but it wasn’t a thrilling comic. I’m being very picky this week, aren’t I?

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[THIS COVER IS RIDICULOUS]

Well, I can tell you definitively that Warlord of Mars 2 is a thrilling comic. Some of that is no doubt my well-conditioned love for the John Carter stories, and some of that is because Arvid Nelson and Stephen Sadowski hustle John Carter off to Mars in this second issue, and we see more Tars Tarkas in action. I complained about the lack of nudity in the first issue, but this one features a more appropriate level of nakedness, all of it strategically hidden. I don’t know how long Sadowski can keep that up without it becoming hokey — and what happens when it’s a naked Dejah Thoris as opposed to the alien Tharks? — but for now the book strikes the right balance. However, there’s something visually off about Sadowski’s depiction of the four-armed Tharks. That upper armpit bumps right up against the lower shoulder in such abrupt fashion that it looks wrong in several panels. It’s not like I could figure out how to make it look correct, though — who am I to nitpick an artist’s rendition of a fictional, alien race?

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[DOUBLE FEATURE, ONE PUNCH]

Also highly enjoyable is Mike Mignola and Richard Corben’s Hellboy: Double Feature of Evil. Corben is doing magnificent work these days, and Mignola gives him a tale of a haunted house with an excellent twist to illustrate that really plays to Corben’s strengths. I’d kinda love to see a Mignola/Corben Lobster Johnson book one of these days. Oh, the second story is a much shorter one, about a museum staffer who believes he’s an Egyptian god, and it’s also fun.

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[LOOKY-LIKEYS RULE]

I still finished my reading on a high note, because I left Tiny Titans 34 on the bottom of the pile. This month’s book is about how much Superboy and Zatara look alike. It has a heavy joke-to-page ratio, it pokes fun at the “Superman hides behind glasses” myth that everyone loves and it features Plasmus in a Zatara outfit at a tea party. It’s not my favorite issue ever of Tiny Titans — I don’t know if anything is going to top the issue with Big Barda — but it sure is a good time.

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[LOOKS AHEAD TO FEBRUARY AND FINDS THIS]

Well, Big Barda’s appearance in Tiny Titans is gonna get topped, that’s for damn sure.

So, what was the best thing I read this week? I’m gonna have to surprise absolutely no one and say Northlanders. It really is my favorite comic, and I love that it’s always different and yet always the same. High quality comics are a joy, and even when Northlanders confounds me, as it did on first reading this month, it gets me more excited than any other book. Nothing in comics should ever be predictable or boring, and for 34 straight issues Brian Wood has surprised me.

-Paul


Bastion or Bane?

November 17th, 2010

As you may already know, this week we decided that we’d each write a blog about our favorite robots in comics. Now there are a lot of robots to choose from, because where there’s futuristic technology, there’s mechanical automatons to go with it. Whether you’re looking at the colossal, mindless brutes like the Sentinels from the X-Men, or perhaps the more soulful Red Tornado of the JLA, robots are everywhere in every conceivable size and model. However, for my robot choice, I had to go with the traditional nigh-unstoppable engine of death type, which is why I chose Bastion, villain and mastermind behind such X-Stories as Operation: Zero Tolerance and the more recent X-Men: Second Coming.

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[Not a guy I’d want to mess with]

Now, one of the reasons I like Bastion because he’s actually two mutant death machines rolled into one. He was formed when the already ridiculously hard to kill Nimrod robot fused with an old component of the original Master Mold Sentinel, which was then thrown unceremoniously into a mystical portal known only as the Siege Perilous. What emerged from that series of events was a sentinel with the form, self-righteous arrogance, and conviction of a man, but with none of the compassion.

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[Nimrod looks like such a proud parent, doesn’t he?]

After his official “rebirth” from the Siege Perilous, Bastion goes on to have quite the colorful career trying to exterminate the mutant race. His achievements include, but are by no means limited to, infiltrating the Whitehouse, starting a government sanctioned mutant-genocide program, almost killing Cyclops, resurrecting and enslaving five of the most dangerous mutant hating people on the planet with a techno-organic virus, and most recently punching a hole through Nightcrawler’s chest. Now if that’s not a full resume I don’t know what is.

However, it isn’t Bastion’s supervillian scorecard that makes him so interesting, although it doesn’t hurt. Bastion is my favorite robot because unlike so many robot villains before him, he isn’t just following his programming or doing what he was built to do, he actually believes he is doing the right thing! Personally, I can’t think of anything scarier than a machine that believes it would be doing the world a favor by wiping me out of existence. Having a goal is one thing, having a goal and carrying it out with conviction is quite another.

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[Fighting for truth, justice, and the death of the mutant race!]

So far Bastion has been captured, decapitated (twice), and blown to smithereens, yet despite everything I doubt we’ve seen the last of him. If there’s one thing I know, it’s that you can’t keep a good (or bad) robot down.

-Brent